Loch, The
THE LOCH
STEVE ALTEN
Copyright ©2005 Steve Alten
ISBN: 0-9761659-0-2; 978-0-9761659-0-2
eBook version 2.0, July 2009
Library of Congress Control Number: 2004195046
Published in the United States by Tsunami Books, Mayfield Heights, Ohio
Cover Design by Erik Hollander: www.erikART.com
Map by Bill McDonald: AlienUFOart.com
Layout by Greenleaf Book Group
To personally contact the author or learn more about his novels, click on www.SteveAlten.com
The Loch is part of Adopt-An-Author, a free nationwide program for secondary school students and teachers.
For more information, click on www.AdoptAnAuthor.com
Table of Contents
Dedication
Author's Note
Acknowledgements
Map
Prologue Quotes
Prologue
Chapter 1
Chapter 2 Quotes
Chapter 2
Chapter 3 Quotes
Chapter 3
Chapter 4 Quotes
Chapter 4
Chapter 5 Quotes
Chapter 5
Chapter 6 Quotes
Chapter 6
Chapter 7 Quotes
Chapter 7
The Diary of Sir Adam Wallace
Chapter 8 Quotes
Chapter 8
Chapter 9 Quotes
Chapter 9
Chapter 10 Quotes
Chapter 10
Chapter 11 Quotes
Chapter 11
Chapter 12 Quotes
Chapter 12
The Diary of Sir Adam Wallace
Chapter 13 Quotes
Chapter 13
Chapter 14 Quotes
Chapter 14
The Diary of Sir Adam Wallace
Chapter 15 Quotes
Chapter 15
Chapter 16 Quotes
Chapter 16
Chapter 17 Quotes
Chapter 17
Chapter 18 Quotes
Chapter 18
Chapter 19 Quotes
Chapter 19
The Diary of Sir Adam Wallace
Chapter 20 Quotes
Chapter 20
Chapter 21 Quotes
Chapter 21
Chapter 22 Quotes
Chapter 22
Chapter 23 Quotes
Chapter 23
The Diary of Sir Adam Wallace
Chapter 24 Quotes
Chapter 24
Chapter 25 Quotes
Chapter 25
Chapter 26 Quotes
Chapter 26
Chapter 27 Quotes
Chapter 27
Chapter 28 Quotes
Chapter 28
Chapter 29 Quotes
Chapter 29
Chapter 30 Quotes
Chapter 30
Chapter 31 Quotes
Chapter 31
The Diary of Sir Adam Wallace
Chapter 32 Quotes
Chapter 32
Chapter 33 Quotes
Chapter 33
Chapter 34 Quotes
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Epilogue Quotes
Epilogue
Notes on Loch Ness
Attention Secondary School Teachers
eBook Notes
Dedication
^ »
This novel is dedicated to Ed and Tonja Davidson, for their support, guidance, and friendship ... and to my grandmother, Miriam Rosen, my godparents, Edie and Is Axler, and to Ann Roof, for always pushing me to write “that big one.”
Author's Note
« ^ »
Loch Ness holds secrets that date back to A.D. 565 and the time of St. Columba. But does a creature really inhabit its depths? After hundreds of years, thousands of reported sightings, and dozens of scientific expeditions, we have theories, but still no definite answer.
When I began the task of researching this novel, I found it imperative to separate the legend of the Loch Ness monster from the body of real science. Then, after concluding the first edit on the manuscript, I was confronted with a new theory from a cryptozoologist and fan of my MEG series who had spent years investigating the Loch. His research, combined with rumors surrounding a recent discovery, were not only credible, but go far in identifying the species of Loch Ness’s famous inhabitant. His evidence also helped to explain the lack of photographic proof. Convinced that these theories were both cutting edge and credible, I re-edited my manuscript to include this important new information.
The Loch remains fiction, however, the science behind the story is quite real.
—Steve Alten, Ed.D.
To receive updates regarding ongoing developments at Loch Ness, go to www.TheLoch.com.
Acknowledgements
« ^ »
It is with great pride and appreciation that I acknowledge those who contributed to the completion of The Loch.
First and foremost, to my friend and business partner, Ed Davidson, whose support and guidance allowed me the freedom to spread my creative wings. Thanks also to Bob Bellin and the rest of the staff at Tsunami Books.
Heartfelt thanks to my literary manager and friend, Ken Atchity, his partner, Chi Li Wong, and his team at Atchity Entertainment International. To Clint Greenleaf and his staff at Greenleaf Book Group, Allison Pickett (Production Manager), Courtney Poremski (Layout Designer), and Hilary Turner (Managing Editor). Thanks also to Joel McKuin of Colden, McKuin & Frankel.
My sincerest appreciation to Hollywood producer David Foster at David Foster Productions and his associate, Ryan Heppe, for taking on the dramatic rights of The Loch. I am honored.
With pride, I acknowledge the invaluable contributions of investigator Bill McDonald (www.AlienUFOart.com) and crypzoologist Richard Freeman who generously made available their new theories regarding the chief resident of Loch Ness.
Thanks also to Calum Forrest, copy editors Bob and Sara Schwager, Bill Raby, editor Claire Wilson (Scotland) and storyboard artist Rikin Parekh (England) for their contributions. A very special thanks to Vincent Guastini.
To my assistant, Leisa Cotner-Cobbs, for her talent and expertise in updating the www.SteveAlten.com website as well as all her work in the Adopt-An-Author program, to Michelle Przystas, my computer “savior” at Southeast Business Solutions, and to Erik Hollander, for his tremendous cover design and graphic artistry.
Last, to my wife and partner, Kim, for all her support, to my parents for always being there, and to my readers: Thank you for your correspondence and contributions. Your comments are always a welcome treat, your input means so much, and you remain this author’s greatest asset.
—Steve Alten, Ed.D.
meg82159@aol.com
Map
« ^ »
Prologue Quotes
« ^ »
Nature is often obscure or impenetrable, but she is not, like Man, deceitful.
—C.G. JUNG
Shadows walk. What is ... isn’t. What isn’t ... may be.
—GAY MALIN
It was July 13, the summer of 2000. My husband and I were on holiday in Scotland, on the shores of Loch Ness. We’d stopped to take a picture of the lake, just to have something to show my friends. I was using my little Kodak with a 23mm lens. The shot I snapped was taken near Boleskin House, by one of the deepest parts of the lake. The Loch was glassy calm, and there were no boats around. When we saw the developed photo, well ... we were shocked.
—MELISSA BAVISTER, TOURIST
The object is definitely on the film, it’s not a mark on the negative.
—ALISTAIR BOWIE, INVERNESS PHOTO LAB TECHNIC
IAN
Prologue
« ^ »
Moray Firth
Scottish Highlands
25 September 1330
THE DEEP BLUE WATERS of the Moray Firth crashed violently against the jagged shoreline below. William Calder, second Thane of Cawdor, stood on an outcropping of rock just beyond the point where the boiling North Sea met the mouth of the River Ness. Looking to the south, he could just make out the single-sheeted Spanish galley. The tall ship had been in port since dawn, its crew exchanging silver pieces for wool and cod.
Calder’s daughter, Helen, joined him on the lookout. “Ye’re needed. A wounded man’s come ashore, a soldier. He’s demandin’ tae see a Templar.”
* * *
The young man had been left on a grassy knoll. His face was pale and unshaven, his blue-gray eyes glassy with fever. His battle dress, composed of chain mail, was stained crimson along the left quadrant of his stomach. A long sword lay by his side, its blade smeared in blood.
A silver casket, the size of a small melon, hung from his unshaven neck by a gold chain.
William Calder stood over the soldier, joined by two more of his clan. “Who are ye, laddie?”
“I need tae speak wi’ a Templar.”
“Ye’ll speak tae no one ‘til ye’ve dealt wi’ me. In whit battle did ye receive yer wounds?”
“Tebas de Ardales.”
“An’ who did ye fight under?”
“Sir James the Good.”
“The Black Douglas?” Calder turned to his men. “Fetch a physician and be quick. Tell him we may need a chirurgeon as well.”
“Yes, m’lord.” The two men hurried off.
“Why dae ye seek the Templar, laddie?”
The soldier forced his eyes open against the fever. “Only the Templar can be trusted tae guard my keep.”
“Is that so?” Calder bent to remove the prized object resting upon the man’s chest piece—the soldier’s sword raising quickly to kiss Calder’s throat. “I’m sorry, m’lord, but I wis instructed tae relinquish this only tae a Templar.”
* * *
The sun was late in the summer sky by the time Thomas MacDonald arrived at William Calder’s home. More Viking than Celt, the burly elder possessed thick auburn-red hair and a matted matching beard. Draped across his broad shoulders was a white tunic, emblazoned with four scarlet equilateral triangles, their points meeting in the center to form a cross.
MacDonald entered without knocking. “A’right, William Calder, why have ye summoned me frae Morayshire?”
Calder pointed to the young soldier, whose wounded left side was being bandaged by a physician. “The laddie claims tae have fought under the Black Douglas. Says he traveled frae Spain tae seek the Templar.”
MacDonald approached. “I’m o’ the Order, laddie. Who are ye?”
“Adam Wallace. My faither wis Sir Richard Wallace o’ Riccarton.”
Both men’s eyebrows raised. “Ye’re kin tae Sir William?”
“He wis my first cousin, my faither his uncle. I still carry William’s sword in battle.”
Calder examined the offered blade, sixty-six inches from point to pommel. “I dinnae see any markings on the hilt that designate this tae be Sir William’s.”
MacDonald nodded. “William aye kept it clean. A fine sword it is, fit for an Archangel tae wield, yet light in his terrible hand. “ He pointed to the silver casket. “Tell me how ye came by this?”
“I served under Sir William Keith for jist under a year, ever since the Bruce fell tae leprosy. Oor king had aye wished tae take part in the crusades against the Saracens, but kent he wis dyin’. He asked for the contents o’ this casket tae be buried in the Church o’ the Holy Sepulchre in Jerusalem. The Black Douglas wis tae lead the mission, joined by Sir William Sinclair, Sir Keith, an’ mysel’.”
“Go on.”
“When we arrived in Spain, Alfonso XI of Castile and Leon ... he convinced Sir James tae join his vanguard against Osmyn, the Moorish governor of Grenada. The Black Douglas agreed, an’ we set off on the twenty-fifth of March, that is, all but Sir William Keith, who had injured his arm frae a fa’ an’ couldnae fight.”
“Whit happened?”
“The battle went badly. The Black Douglas wis deceived by a feint, an’ the Moors’ cavalry broke through oor ranks. It happened so fast, bodies an’ blood everywhere, that I could scarcely react. I saw Sir William Sinclair fa’ doon, followed by the Black Douglas. An’ then a sword caught my flank, an’ I fell.
“When next I awoke, it wis dark. My nostrils were fu’ o’ blood, an’ my left side burned. It wis a’ I could dae tae regain my feet beneath the bodies. I wanted tae flee, but first I had tae find the Black Douglas. By the half-moon’s light, I searched one corpse tae the next ‘till I located his body, guardin’ the Bruce’s casket even in death. By then, the dawn had arrived an’ Sir Keith wi’ it. He dressed my wounds, but fearful o’ another Islamic attack, suggested we separate. I wis tae return tae Scotland, then make my way to Threave Castle, stronghold o’ Archibald the Grim, Sir James’s son. Sir Keith wis tae return tae the Lowlands an’ Melrose Abbey wi’ the casket.”
“But yer plans changed, I see.”
“Aye. On the eve o’ oor sail, Sir Keith took sick wi’ dropsy. Fearful o’ his condition, I decided it best if the casket remained wi’ me and too’ it frae him.”
Calder pulled MacDonald aside. “Do ye believe him?”
“Aye.”
“But why does he seek a Templar?”
“Bruce wis a Mason, born intae the Order. The contents o’ the casket belong tae Scotland. It represents nothin’ less than oor freedom.”
MacDonald turned back toward Adam. “Ye were right tae come here, laddie. Whit lies within that silver container’s far ower important tae leave in any abbey. There’s a cave, a day’s walk frae here, known only tae the Templar. If Cooncil agrees, then I’ll take the casket there and—”
“No ye willnae!” Adam interrupted. “The coven’s between the Bruce an’ the Wallace Clan. Direct me, an’ I shall take it there mysel’.”
“Dinnae be a fool, ye dinnae ken whit ye’re sayin’. The cave I’ve in mind leads tae Hell, guarded by the De’il’s ain minions.”
“I’m no’ feart.”
“Aye, but ye will be, Adam Wallace. An’ it’s a fear ye’ll carry wi’ ye `til the end o’ yer days.”
Chapter 1
« ^ »
Sargasso Sea, Atlantic Ocean
887 miles due east of Miami Beach
THE SARGASSO SEA is a two-million-square-mile expanse of warm water, adrift in the middle of the Atlantic Ocean. An oasis of calm that borders no coastline, the sea is littered with sargassum, a thick seaweed that once fooled Christopher Columbus into believing he was close to land.
The Sargasso is constantly moving, its location determined by the North Equatorial and Gulf Stream currents, as well as those of the Antilles, Canary, and Caribbean. These interlocking forces stabilize the sea like the eye of a great hurricane, while causing its waters to rotate clockwise. As a result, things that enter the Sargasso are gradually drawn toward its center like a giant shower drain, where they eventually sink to the bottom, or, in the case of oil, form thick tar balls and float. There is a great deal of oil in the Sargasso, and with each new spill the problem grows worse, affecting all the sea creatures that inhabit the region.
The Sargasso marks the beginning of my tale and its end, and perhaps that is fitting, for all things birthed in this mysterious body of water eventually return here to die, or so I have learned.
If each of us has his or her own Sargasso, then mine was the Highlands of Scotland. I was born in the village of Drumnadrochit, seven months and twenty-five years ago, give or take a few days. My mother, Andrea, was American, a quiet soul who came to the United Kingdom on holiday and stayed nine years in a bad marriage. My father, Angus Wallace, the cause of its termination, was a brute of a man, possessing jet-black hair and the piercing blue
eyes of the Gael, the wile of a Scot, and the temperament of a Viking. An only child, I took my father’s looks and, thankfully, my mother’s disposition.
Angus’s claim to fame was that his paternal ancestors were descendants of the great William Wallace himself, a name I doubt most non-Britons would have recognized until Mel Gibson portrayed him in the movie, Braveheart. As a child, I often asked Angus to prove we were kin of the great Sir William Wallace, but he’d merely tap his chest and say, “Listen, runt, some things ye jist feel. When ye become a real man, ye’ll ken whit I mean.”
I grew to calling my father Angus and he called me his “runt” and neither was meant as an endearing term. Born with a mild case of hypotonia, my muscles were too weak to allow for normal development, and it would be two years (to my father’s embarrassment) before I had the strength to walk. By the time I was five I could run like a deer, but being smaller than my burly, big-boned Highland peers, I was always picked on. Weekly contests between hamlets on the football pitch (rugby field) were nightmares. Being fleet of foot meant I had to carry the ball, and I’d often find myself in a scrum beneath boys twice my size. While I lay bleeding and broken on the battlefield, my inebriated father would prance about the sidelines, howling with the rest of his drunken cronies, wondering why the gods had cursed him with such a runt for a son.
According to the child-rearing philosophy of Angus Wallace, tough love was always best in raising a boy. Life was hard, and so childhood had to be hard, or the seedling would rot before it grew. It was the way Angus’s father had raised him, and his father’s father before that. And if the seedling was a runt, then the soil had to be tilled twice as hard.
But the line between tough love and abuse is often blurred by alcohol, and it was when Angus was inebriated that I feared him most.
His final lesson of my childhood left a lasting impression.
It happened a week before my ninth birthday. Angus, sporting a whisky buzz, led me to the banks of Aldourie Castle, a three-century-old chateau that loomed over the misty black waters of Loch Ness. “Now pay attention, runt, for it’s time I telt ye o’ the Wallace curse. My faither, yer grandfaither, Logan Wallace, he died in these very waters when I wis aboot yer age. An awfy gale hit the Glen, an’ his boat flipped. Everyone says he drooned, but I ken better, see. ‘Twis the monster that got him, an’ ye best be warned, for—”
“Monster? Are ye talkin’ aboot Nessie?” I asked, pie-eyed.